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Stories From My Class

At what point did art stop being critical and become critique? I need to walk away from a work of art feeling like the materials and the whole of my experience have been changed, alchemically, and given back to me.I need to walk away from a work of art feeling like I’m holding hands, with everybody. To you who are graduating today I say, you are our future. Welcome to the present.
Eric Fischl
  • 2 weeks ago
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Topsy Turvies in My Classroom

A letter to Herbert Kohl

Dear Mr. Kohl,

Funny that you call it a topsy-turvy.  I had to come up with a similar paradigm-shift as a new teacher, and called it a “complete 180” because I felt I needed to learn from my students if I was to succeed during my second year.  I chuckled to myself with recognition as I read about Julia, the student who heard you encourage the class to make mistakes but didn’t believe you.  The way you tell the story, you were practicing as you preached, so in your class Julia learned to be a headstrong and opinionated student.  You created a welcoming space where she felt safe to challenge you (and the state test!) when a test-day reality did not conform to her feminist values.  I have been in similar situations where I spent class time paying lip-service to a principle, only to have students find all the inconsistencies in my application of it.  For example, once I made an offhanded response to a (very helpful and community-minded, for the record) student who was asking for extra help before school: I would help him with his math if he would help me put some books away.  My words, thrown out so carelessly because I was in a hurry, caused him to stop short.  He reappraised me with his gimlet eye before informing me, “Jessica that is a low level of moral development to say that.  Is almost like to do something only to get something back.”  

I appreciated also your story about the white teacher who crucified herself with self-flagellation when a disgruntled student called racism (Kohl, H. 2002).  When we are uncertain about our role as teachers, or feel called to account for ourselves as members of a social group, it can lead to sticky situations in front of the kids.  Her response reminds me of some of my confusions as a new teacher in West Farms.  I am wincing now as I recall an incident during my first year teaching seventh grade, before I had started to figure out the power of doing a “topsy-turvy.”  The confrontation between a student and myself occurred after he insisted that he did not have to respect me just because I was an adult, and I overreacted.  After this incident, I had a lengthy exchange with the student’s mother and she pointed out a number of actions by myself and the lead teacher which her son had “heard” as disrespectful:

Daniel feels he is listened to and understood by Ellen whereas with Jessica and sometimes Lisa he is rarely understood or listened to. When asked to explain, he said that when people are really interested in what another has to say they give their full attention to what the other person is saying and oft repeats what they hear to be sure that they have heard correctly.

His voice and opinion are very important to him and right now he feels disrespected when his teachers 1) are not actively listening to him 2) do not follow up (no consistency) 3) signals him out when others are acting unruly, as well. 4) say things like” It’s your time guys—this is an example of teachers not caring 5) overexaggerates “aggressive” behavior (parent, personal communication, April 16, 2007).

I see now from the way that I interpreted the conflict between the student and myself that I had not come to “an acceptance of opposition, of the idea that what you want as a teacher and what your students want or expect may be dissonant” (Kohl, H. 2002, p. 150). 

In her first email, Daniel and his mother requested “a no holds barred school assembly where all the students get a chance to voice how they feel about the school, teachers, and curriculum with all the teachers and personnel present without any backlash on the students!” (parent,personal communication, April 16, 2007).  The other staff-members and I rose up at once when we had read over the chain of emails in the principal’s office.  “We don’t want to hear kid grievances against teachers at Town Hall!  Kids need to respect our authority! Not everything is open for discussion.”  It is interesting to me now that Daniel and his mother “heard” this series of exchanges as being about something much larger than myself, yet I responded based on my own wounded sense of the deference due to me as an adult. If I had taken a moment to put myself in their shoes, I might have remembered that “as the children [and adults!] listen, their own experiences, beliefs, and understandings can often provoke crisis or prevent learning” (Kohl, H. 2002, p. 154).  From where they were standing, the administration’s actions and words signified that kids and teachers did not deserve equal respect in our school, so Daniel and his mother were interpreting my speech and actions through this lens.  At the time, I wrote “It pains me that Daniel imagines his desire to see the school improve and better serve its students are at odds with the teachers’ desires…we are all (parents included) collaborators in shaping our school and classrooms” (J. Berenblum, personal communication, April 17, 2007).  I wish I had been skilled enough at the art of the topsy-turvy to convey this sentiment clearly to my students. 

It is easy for me to remember and feel awful about the ways in which my touch was less than light. I fell short of my vision for the teacher they deserved and the level of instruction she would offer them.  I guess many teachers feel this way when they look back at the beginning of their careers.  Even Susan Ohanian admits to struggling as a new teacher; after her first year in the classroom, her principal gave her a C+ grade on her official evaluation (S. Ohanian, personal communication, September 7, 2010).  However his report also stated that she had a good heart and would develop into a fine teacher with time. More than two decades later, Ohanian recalled the importance of this evaluation to her sense of self as a teacher in the years that followed: “I would like to believe that somewhere in the bowels of the NYC department of education is a little piece of paper stating that a good heart counts” (S. Ohanian, personal communication, September 7, 2010). Your article has helped me understand that it is not only having a good heart that counts, we must also wear it on our sleeves in a way that is “easy and sincere” and can be read as such by our students (Kohl, H. 2002, p. 150). 

I know that the department of ed probably has no such paper on my account. It’s hard to imagine such an evaluation today, when schools are hemmed in by Common Core standards and scared witless by the “accountability” camp eager to find fault with our performance. But the students I taught left me notebooks full of evidence that a good heart counts in teaching. For a recent Personal Artifact activity at Bank Street, I selected from my treasure trove of student work and correspondence some examples I think of as “gifts to my teacher self” (P. Jones, personal communication, September 30, 2010).  These were two mirrors held up by the kids I worked with, and they helped me see my teaching self more clearly.

The first is a literal gift (from a friend), a mug decorated with a quote from a student’s essay: “when I write a story, I write it with my heart. My heart makes my brain think about cool stuff.”  This came from an essay where Jenny described her discovery that she is a writing, story-telling person: “I never knew I was a good writer since [because] Jessica told me I asked myself the same question” (T. Oxholm, personal communication, September 10, 2010).  Whatever my failings as a semi-skilled new teacher, she could tell that I was trying to see her and the other students more clearly.  What were they were trying to learn or figure out as seventh graders?  And how did these smaller pieces connect to the person they wanted to be or become? 

The second gift was an email I received from a student after his graduation from my class.  He wrote it in the fall of his ninth-grade year, and it is an update about his school.  He says: “I really miss u so much…but there is a teacher that looks like u…not phisicly but the way she acts…she remind me of u…she is like u” (J. Reyes, personal communication, October 29, 2008).   From his very ellipses-filled description, the similarity boils down to his perception of our reactions to him: “every time I talk to her she always smile just like how u use 2” (J. Reyes, personal communication, October 29, 2008).  I did, at least some of the time, translate my caring into actions that were personally meaningful to students; such as my habit of staring hard to try and understand the undercurrents of their thinking: “and every time we say something and u figure something out u be like ‘ah haa’” (J. Reyes, personal communication, October 29, 2008). Gifts such as these help me remember that I actually was able to project my personality in a way that was legible to the children.  To them, the threads of human connection and care tied my disconnected teachings and lesson plans and gajillion moment-by-moment interactions together. As I reassess the disparity between my harsh self-assessments and the kids’ memories of me, I am reminded of some words in Susan Ohanian’s Barbara Biber lecture, which she borrowed from Emerson and applied to her own fumbling efforts as a new teacher: “character teaches above our wills” (personal communication, September 7, 2010). 

    • #Education
    • #classroom community
    • #behavior management
    • #teaching self
    • #Herbert Kohl
    • #new teachers
    • #middle school
    • #professional development
  • 4 weeks ago
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Thinking a lot about math these days as I try and make up my mind about the usefulness of the Impact curriculum to students in my class. Loved this video, and also found this great math blogger who creates math challenges in three acts (you have to check it out to understand) that start with a video of a real-world scenario…everything downloadable and implementable. He also has a blog and interesting ideas.

    • #teaching math
    • #differentiation
    • #Math
    • #Education
    • #Teaching Resources
    • #K through 12
  • 2 months ago
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Today’s math lesson was tiered!

    • #student teaching
    • #math
    • #teaching math
    • #differentiation
    • #udl
  • 2 months ago
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In one research strategy, called recomposing, Steve shows how to summarize paragraphs of information not as a heap of “interesting facts” but as a diagram. The diagram can then work as a framework for students to follow when writing an essay. This overcomes the teacher’s problem of “cut and paste” essays, and, by following their own diagram-summary, students have an answer to their familiar questions, “Where do I start? What do I write next?” (from I See What You Mean: Visual Literacy by Steve Moline)
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In one research strategy, called recomposing, Steve shows how to summarize paragraphs of information not as a heap of “interesting facts” but as a diagram. The diagram can then work as a framework for students to follow when writing an essay. This overcomes the teacher’s problem of “cut and paste” essays, and, by following their own diagram-summary, students have an answer to their familiar questions, “Where do I start? What do I write next?” (from I See What You Mean: Visual Literacy by Steve Moline)

  • 2 months ago
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I wonder why geography isn’t routinely taught using an active literacy model. The proficient reader strategies are an ideal way to encourage kids to become metacognitive, active geographers capable of interacting with maps and constructing their own knowledge. Maps could also become very interesting to readers if we are given an opportunity to converse with them as opposed to being passive recipients of geoknowledge. For example, text-to-self, text-to-world, text-to-text connections are important to map learning too, because maps are only important as they encode relations in the real world. 

Analyzing Maps

We teach students to become nuanced responders to literature and other forms of written texts by practicing reading, writing, responding to, and discussing them over a period of years. Why don’t maps get that same sort of attention? They are complex texts too. Could be considered one of the main genres we encounter throughout life, and being able to use them critically can be a matter of life and death. 

Hmm, I should use Visual Thinking Strategies(VTS) as a way to improve map literacy and critical thinking skills over time.

People talk of VTS as transformational — for their students and themselves. “It’s just like magic,” says Audrey Morton Miller, who introduced VTS in her first-grade classroom at Hamilton in fall 2007. “It’s an exciting way to get students talking, observing, making inferences, and backing them up. And it’s had a big effect on me as a teacher. I’ve gone from being the expert, the one who always has the knowledge, to being more of a facilitator.” (via edutopia)

Put up a map the kids have never seen before, and follow the VTS routines: 

  • What is going on in this map? 
  • What do you see that makes you say that? 
  • What more can we find?

Mapping Workshop

Reading and Writing Workshop start with brief strategy or content minilessons and then devote the bulk of class time to the work period. Mapping Workshop could start with strategy minilessons too. An analog to using “short texts” to try strategies in Reading/Writing workshop would be to use images that are produced or archived by blogs and online periodicals (infographics blogs, Sociological Images, Edible Geography, GOOD magazine).

In the same way that we have reader’s and writer’s notebooks, we could give kids “cartographer’s” or “explorer’s” notebooks. They would become places to record personal observations, wonderings, sketches, responses, new maps the child has created.

  • In a cartographer’s notebook we could even collect a list of ideas for future maps called “my mappable territories,” similar to “writing territories” in Nancie Atwell’s Writer’s Workshop. They could use this list for inspiration for independent or group projects during Mapping Workshop time. Create a “map of my heart” showing the places that are most important to them, and why. 
  • Students could study keystone maps and use them as inspiration, or they could do a “cartographer study” to learn about the style of mapping used by a particular cartographer (or cartographic tradition/style/time-period in cartographic history) by comparing a number of different maps by the same cartographer, and then incorporate their learning into an original map influenced by aspects of the style or by particular strategies they had noticed the cartographer using and admired. Or they could respond by redrawing an existing map using conventions favored by that cartographer.
  • In an explorer’s notebook they could paste in a map and then plan a trip or adventure (or even a military campaign) based on the information they noticed in the map. Then they could go on a mind trip and record information about their imaginary travels, including the trip itinerary, postcards, snapshots, travel diary, letters home, birdspotting or similar field guide details, information from the map. 
  • Keep a self-created list of strategies for mapping a place. For finding their way around a new place without a map. For reading different parts of a map. For reading different kinds of maps. For remembering maps. For keeping track of scale and proportion when they map a place. Of types of maps. Of favorite place names that really exist. Ideas of names to use for new places they discover and map.
  • Could read exciting travel logs for inspiration, then keep a travel log of a class trip or mind trip. Shackleton, Adrift On An Ice-Pan, Letters of a Woman Homesteader, illustrated travel diaries, scrimshaw, etc.


The world map of Al-Idrisi (12th century)

Related articles

  • map embellishments (bakersandastronauts.blogspot.com)
  • Memory Plans (disorientationeducation.tumblr.com)
  • Spatial Processing Demands at School (disorientationeducation.tumblr.com)
    • #geography
    • #mapping
    • #north american geography
    • #social studies
    • #teaching
    • #tool maps
    • #Cartography
    • #Sociological Images
    • #Edible Geography
    • #Map
    • #Geography
    • #Global Positioning System
  • 2 months ago
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Started a feature article unit on Tuesday with some idea-collecting.
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Started a feature article unit on Tuesday with some idea-collecting.

    • #teaching writing
    • #writing workshop
    • #feature article
    • #middle school
    • #bilingual education
  • 2 months ago
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Student map connecting the locations of Native American tribes with the availability of natural resources based on his research of the raw materials used for transportation, buildings, tools, food, and clothing by each tribe. Notice that he lists tools and nets as a natural resource in his key—something to investigate further).
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Student map connecting the locations of Native American tribes with the availability of natural resources based on his research of the raw materials used for transportation, buildings, tools, food, and clothing by each tribe. Notice that he lists tools and nets as a natural resource in his key—something to investigate further).

    • #geography
    • #social studies
    • #teaching
    • #native americans
    • #teaching culture
    • #bilingual education
    • #ELL
  • 2 months ago
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The Conquistadors

  • Betty: So the Spanish became very rich. Think about the cause and effect...The natives became what? The Spanish became rich on account of what?
  • Se: Of their lives
  • Betty: Is that fair?
  • Se: No! That's a big trade. Is like a bully
  • Sb: Good connection
    • #social studies
    • #text to world
    • #kids say
    • #middle school
  • 2 months ago
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REAL: “Real” texts and nonfiction are more closely connected to real life and functionality. Boys who liked fantasy found these texts helpful in understanding or acting in their real lives-they saw these texts as more “realistic” than texts that were ostensibly more factual.

It seems like anything with Jeff Wilhelm’s name on it is something I like or am intrigued by. 

A Few Features That Contribute to Flow | Scholastic.com

SHORT: Short texts give an immediate sense of accomplishment and competence.

VISUAL: Visual descriptions or graphics provide assistance to meet the challenge of seeing, understanding, and experiencing the text.

CHALLENGING: Texts filled with weird and wonderful facts were fun for the boys to export and to talk about, and challenged their previous ideas about the world.

EDGY: We discovered that texts that challenge the status quo were exportable.

CURRENT: News and Web sites helped them keep track of something important to them, like sporting events. It is worth repeating that it was not the text features themselves the boys enjoyed. Rather it was how the text features connected or contributed to the context of the reading.

HUMOR: When you laugh, you immerse yourself in the immediate experience. (Interestingly, none of our boys could remember ever reading anything that they thought was funny for their school assignments.)

(Smith and Wilhelm, 2002)

Source: scholastic.com

    • #teaching reading
    • #boys
    • #jeff wilhelm
    • #flow
    • #books
    • #reading
  • 3 months ago
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I am a grad student at Bank Street College of Education. This is my Bureau of Educational Experiments.

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